Editing Sculpture at the Fair

SCULPTURE ON THE BUILDINGS
The sculpture on the Palaces is as follows:
PALACE OF MANUFACTURES
Quadriga over main entrances, by Charles Lopez and F. G. R. Roth.
‘’Progress of Manufactures,’’ groups on pylons flanking main entrance, by Isidore Konti.
“Victory,” main entrance, by Michael Tonetti.
“Energy” and “Power,” groups flanking E. and W. entrances by L. O. Lawrie.
Casque with flags, and female figures with eagle-crowned shields, on roofline, by L. Amateis.
“Fountain of Neptue” and “Fountain of Venus,” flanking N. and S. entrances and corner pavilions
by Phillip Martiney.
Spandrels over all doors, by G.T. Brewster.
Seated figures in main entrance, by Zolney, Packer, and Heber.
Greek Sphinx on block pedestals in front of colonnade, marking smaller entrances, Anonymous.
PALACE OF TRANSPORTATION
Group with shield, in curving entablature over all main entrances, by Paul Wiehle,
“Transportaion by Rail” and “Transportation by Boat.” seated figures at base of corner towers,
by George J. Zolnay.
“Spirit of Transportation,” figure for crown pylons, by F. F. Horter.
Seated figures flanking main entrances, by F. H. Packer and Carl Heber.
Figure at base of towers, by William Sievers.
PALACE OF MINES AND METALLURGY
“Coal,” “Iron,” “Gold,” “Copper,” above frieze line on, screen wall, four figures, by Charles
Mulligan.
Architectural figures between columns, by F. W. Ruckstuhl.
“Torch-bearer” and attendant figures, and frieze at base of obelisk, by Randolph Schwartz.
Frieze on screen wall between columns, by Theodore Baur.
PALACE OF VARIED INDUSTRIES
Tympanum group, E. pediment, by Clement J. Barnhorn.
Tympanum group, S. pediment, by Douglas Tilden.
Torch-bearer, repeated ten times above entablature of swinging colonnade, by Bruno L. Zimm.
Lions, surmounting pylons, S. entrance, by F. W. Ruckstuhl.
“Industry of Man” and “Industry of Woman,” seated figures between Columns E.
facade, by Antonin C. Skodik.
Symbolic groups, E. and W. entrances, by John Flanagan.
Figures for N, entrance and four figures, W. cornice, by F. W. Ruckstuhl.
Spandrels, bas-relief, W. entrance, by Peter Rossak.
Spandrels, bas-relief, corner towers, by William W. Manatt.
PALACE OF EDUCATION
All statuary by Robert Bringhurst.
Quadriga over main entrances.
“Goldenrod,” architectural figure, repeated six times over entrance colonnades.
“Thread of Fate,” flanking quadriga.
“Flight of Time,” flanking quadriga.
“Music,” group on block pedestal, right of each main entrance.
“Manual Training.” group on block pedestal, left of each main entrance.
“Archaeology’” and “Music,” spandrels in the round, over large doors.
“Geography” and “History,” spandrels in the round, over small doors.
PALACE OF MACHINERY
“Labor and Care,” tympanum group, repeated over six entrances, by Fernando Miramla.
“Shield Holders,” repeated eight times, E. and N. entrances, above cornice, by A. A. Weinmann.
“Atlas with Globe.” colossal group, N. facade, by R. H. Perry.
Spandrels for W. facade, by Anton Schaaf.
Spandrels, bas-relief, E. and N. facades, by Melva Beatrice Wilson.
Group over N. pavilion, by Max Manch.
PALACE OF ELECTRICITY
“Light Overcoming Darkness.” group crowning pyramidal corner towers, and “Wonders of the
Lightning” and “Wonders of the Aurora” on corner towers, by Bela Prati.
“Light,” “Heat,” “Speed,” “Power,” four seated figures above pairs of projected columns on E.
facade, by August Lukemann.
“Electricity,” group over main entrance, by Charles Grady.
PALACE OF ELECTRICITY
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UNITED STATES GOVERNMENT BUILDING
All statuary by James F. Early.
Tympanum in alto relief Romanesque ornament, for pediment over main entrance.
“Liberty Triumphant.” groups flanking pediment.
“Liberty Victorious,” quadriga crowning central dome.
“Liberty,” inside building, replica of Liberty on dome of Capitol at Washington.
FESTIVAL HALL
“Victory,” crowing dome, gilded, by Evelyn B. Longman.
“Music,” by August Lukeman, and “Dance” by M. Tonetti, flanking main entrance.
“Apollo and Muses,” by Philip Martiny.
Cartouche, with two figures above main entrance, by John Pike.
PALACE OF LIBERAL ARTS
Quadriga, with two attendant groups over main entrance, by Charles Lopez and F. G. R. Roth.
“Music” and “Learning,” groups flanking main entrance, by George E. Bissell.
“Apotheosis of Liberal Arts,” groups on end pylons by H. Linder.
“Ceramics” and “Invention,” figures on four corners of end pylons by H. P. Pedersen.
“Pottery Decorator,” figure over door in end pavilion by C. Y. Harvey.
Cupids with shields, above entablature, by Phillip Martiny.
Reclining figures, over broken pediment of central door, by Edith Stevens.
MAIN CASCADE
All sculpture by H. A. McNeil.
“Fountain of Liberty,” chateau d’ean at bend of cascade.
“Physical Strength,” balanced by
“Physical Liberty,” on first cascade leap
“Cupid with Dolphin” on successive leaps.
“Pegasus and Sea Nymphs” on last leap.
SIDE CASCADES
All sculpture by Isidore Konti.
“Atlantic Ocean,” fountain at head of W. cascade.
“Pacific Ocean,” at head of E. cascade.
“Progress of Navigation.” balanced by
“Progress of Commerce” on first leaps.
“Grace and Strength.”
“Cupid Holding Fish.”
“Girl with Petrel.”
“Sea Sport.”
“Fisheries,” on successive leaps.
TERRACE OF STATES
Each figure in its own shrine, the Colonnade being formed of seven hemi-cycles on each side
of Festival Hall.
“Missouri,” by Sterling A. Calder; “Arkansas,” by Albert Jaegers; “Louisiana,” by Randolph
Schwartz: “Iowa,” by Carl E. Teft; “Nebraska,” by F. H. Parker; “Kansas,” by Adolph A.
Weinmann; “Oklahoma,” by J. S. Conway; “Indian Territory,” by C. A. Reber; “Colorado,”
by August Zeller, Jr; “Minnesota,” by Gustav Gerlach; “North Dakota,” by Bruno F.
Zimm; “South Dakota,” by L. O. Lawrie’ Montana,” by Antonin C. Skodik; “Wyoming,”
by C. F. Hamann.
Bear for Lampadiere of Colonnade, by F. G. R. Roth.
“Strength,” group surmounting W. terminal pylon, by Vincenzo Alfano.
Groups at E. end of Colonnade, by Alexander Ruel.
PALACE OF FINE ARTS
“Inspiration,” bronze for pinnacle of pediment, by Andrew O’Conner.
“Sculpture,” beside entrance, by David G. French.
“Painting,” beside entrance, by Louis ST. Gaudens.
“Truth,” E. niche of central pavilion, by Charles Grady.
“Nature,” W. niche, by Philip Martiny.
“Classic Art,” limestone, above porch, by F. E. Elwell.
“Renaissance Art,” limestone, by Carl E. Telft.
“Oriental Art,” limestone, by Henry Linder.
“Egyptian Art,” limestone, by Albert Jaegers.
“Gothic Art.” limestone, by, Johann Gebert.
“Modern Art,” limestone, by C. F. Hamanu.
Eleven medallions, limestone, by G. T. Brewster.
Eleven medallions, limestone, by O. Picarilli.
Two gridins, copper, by Phinister A. Proctor.
Two centaurs, at ends of pediment.
Thirty antique figures for temporary wings.
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Twenty-six antique figures for permanent wings.
Panela over porch, by H. A. McNeil.
PORTRAIT STATUES
“Horace Mann,” W. entrance to Palace or Education, by H. K. Bush-Brown.
“Pe1tfllozzi,” N”. f’ntrance to Palace ur Educntion, h,r A. Jaegers.
“Joseph Henry,” Entrance to Palace of Electricity, by J. Flanagan.
“Benjamin Franklin,” N. entrance to Palace of Electricity, by John Boyle.
“Charles Goodyear,” S. entrance to Palace or Manufactures, by Michael Tonetti.
‘’Jehan Gobelin,’’ E. entrance to Palace of Varied Industries, by Max Mauch.
Right approach to Cascades:
“Bienville” and “M. Lewis,” by Charles Lopez.
“Daniel Boone,” by Enid Yandall.
“G. R. Clark,” by Elsie Ward.
“W. Clark,” by F. W. Kuckstuhl.
“Sieur La Salle,” by L. Gudebrod.
“Pere Marquette,” by G. E. Dallin.
“Thomas Jefferson,” by Charles Grady.
“Napoleon,” by Daniel C. French.
Left approach to Cascades:
“Panfilo Narvaez,” by H. Adams.
“James Madison,” by Janet Scudder.
“Robert Livingston,” by A. Lukemann.
“James Monroe,” by Julia Bracken.
“Marbois,” by H. Herring.
“Andrew Jackson,” by L. Potter.
“Philippe Renault,” by A. S. Calder.
“Anthony Wayne.” by W. C. Noble.
“Pierre Laclede.” By J. Hartley.
STATUARY ON THE GROUNDS
MAIN AVENUE
‘’The Mountain” and “The Plain” by Lorado Taft.
“Pastoral,” by C. A. Heber.
Indian Fountain Group, by A. A. Weinmann.
WEST COURT
“Sioux Chief,” equestrian by C. E. Dallin.
EAST COURT
“Cherokee Chief.” equestrian, by J. E. Fraser.
‘’Cheyenne Chief’’ by F. Remington.
PLAZA OF ST. LOUIS
“Apotheosis of St. Louis,” by C. H. Niehaus.
“De Soto,” equestrian, by E. C. Potter.
“Louis Joliet,” by A. P. Proctor.
LOUISIANA PURCHASE MONUMENT
All figures by Karl Bitter.
“Peace,” on globe surmounting the shaft.
“Signing of the Treaty”
“Spirit of the Missouri River” and
““Spirit of the Mississippi River” at base.
MAIN LAUNCH LANDING
Four groups by Solon Broglum
“Buffalo Dance”
“A Step to Civilization”
“Perils of the Plains”.
EAST LAUNCH LANDING
“Combat of Grizzly Bears’’ and “Combat of Sea Lions,’’ by F. G. R. Roth.
WEST LAUNCH LANDING
“Combat between Bull and Cougar” and “Cougar Attacking a Dying Cow.” By E. C. Potter.
ENTRANCE TO PIKE
“Shooting up the Town,” by F. Remington.